Category: Portrait

Inari Briana is a photographer first and foremost however she also delves into the world of content creation because, as she says, “there is no limit to how creative you can be.”

Inspired by cinema, music, and pop culture, her work is split about 50/50 commercial and portraiture.

“Growing up, I was always an escapist. I would dive into the world of television, letting my mind roam and thinking of ways to enhance what I see and pay homage to those who’ve come before me. I would get inspired by the photographs in magazines and advertisements. Whenever something caught my eye, I always found a way to make it my own.”

Inari defines her work as colorful, bold and cinematic.

“I am very particular about the colors I use in my portraits. Cinema and film will forever play a role in how I capture my images, whether it be the colors or how it’s shot.”

Another important element to her work is storytelling.

“Storytelling is the embodiment of how my imagery looks. Every image I capture has a meaning behind why it is captured. Although some images are only used for promotional purposes, I still manage to find ways to express myself through my own projects. What better way to do that than with the art of storytelling?”

Stepping in front of the camera

“I make it my mission to bring the beauty and confidence out of each person I shoot,” Inari says. In fact, she has often taken to stepping in front of the camera to show how anyone can be confident.

“Being in front of the camera used to be the biggest challenge for me. Meeting me now, you’d never believe that at one point in time, I was shy and self-conscious about how I looked.” She explains that it was necessary for her to see herself as others do. “Being in front of the camera truly helped with my confidence 100%,” she says, adding, “Not only did it help with my confidence, but it revealed how I should go about directing my models for shoots and creating an atmosphere where my clients feel the most confident.”

I believe that everyone is beautiful even when they don’t believe it themselves. Confidence is a viable trait to have and could sometimes be hard to gain or maintain. If there is any way to make sure that each person, I work with can give me at least 95%, I will do whatever it takes to make it happen.

“Growing up, I had always been insecure about the color of my skin. It took me a very long time to embrace the skin that I’m in. Although I can shoot any and every skin color, I enjoy shooting dark skin and highlighting that black skin is very beautiful.”

Surrounding yourself with like-minded creatives

Inari is a member of the Black Women Photographers group. She explains how important the group is for like-minded creatives:

“Having a group like Black Women Photographers is extremely important for women like myself. We need a support system like BWP to give younger creatives a chance to see that they aren’t alone and that there are opportunities and resources for all of us, despite what we may have always believed.”

Inari elaborates further:

“There are many challenges that come with being a black photographer let alone a black female photographer. You can believe your work is just as good as the next person but there is always going to be someone right behind you telling you that you’re not that great… It can sometimes feel like there are so many things stacked against you.”

Prepping for a shoot

Inari explains how she goes about creating concepts for her commercial shoots. She begins with mood boards or pitch decks. Once a concept is agreed upon, she’ll start producing the project. “I am constantly looking for ways to create something different [for every shoot],” she explains, though her style can be seen throughout all of her work.

Inari utilizes both backgrounds and props smartly, depending upon the type of shoot she’s on. She’s even found herself finding small props and creating shoots around them. She loves using textured backdrops as well. She notes that set design really helps you set the tone for how your projects will run. “I love color. I also tend to find myself being very minimal with colors so when I do use it, I make sure it stands out and sets the tone for the shoot,” Inari says.

A tip for young creatives

We asked Inari for advice she’d offer to young creatives thinking about a career in photography. “Don’t talk about it [leaping into photography], just do it. The more you talk about it, the easier it is to talk yourself out of it. Just rip the band-aid off and start the journey. You won’t regret it,” she concludes.

Gabriela Herman is a commercial, editorial and lifestyle photographer who had the opportunity to shoot with the NIKKOR Z 40mm f/2 lens early on. After putting the lens through its paces, Gabriela found it to be the “perfect ‘take with you everywhere’ lens not only for the focal length but also the size of the lens, being lightweight and super portable. It’s wide enough to capture full scenes but also can be used for beautifully composed portraits. It’s a great lens for a travel shoot if you can only take one with you,” she says.

The NIKKOR Z 40mm f/2 is an ultra-compact prime lens that is easily at home on an FX or DX format Z series mirrorless camera. The lens is a 60mm equivalent on a DX format camera. The fast f/2 aperture makes it ideal for shooting in low light. The wide aperture lets you play with depth of field to create images with beautiful bokeh. And with its small size, you’ll want to take it everywhere.

Gabriela added Z series mirrorless cameras to her photographic gear after having the opportunity to shoot with the Z 50 (DX) camera.

“I love the portability, the size and weight of the Z cameras compared to my DSLRs. It [really] is the perfect camera to just take with me anywhere.”

This shoot was a dream assignment, Gabriela says, in that she had the freedom to do the talent casting, location scouting and had the ability to shoot in her own photographic style. And that’s the ultimate goal—to shoot with your own voice.

Idea Generation

Idea generation often comes from a client, but not always. “Sometimes I’ll create a mood board but I always make time to try something that isn’t on the shot list,” she says, adding: “Scouting is key. For me it’s more about being in the place, seeing the light and interacting with my subjects that I get inspired to take the shoot in a certain direction.”

Because Gabriela does a mix of editorial, commercial and lifestyle work, we asked her which she feels gives her the most creative freedom. “Editorial for sure, but more so than that, shooting for myself will always be the most freeing, where I can take the most risks and try new things. It’s those images and process that fuel me,” she explains.

Gabriela says she get often gets inspired by other photographers. “I love seeing what they’re up to on social media, it definitely motivates me.”

Dream Jobs

Gabriela specializes in travel, food and lifestyle imagery so we asked her, what if you had to pick just one. Which would it be and why?

“I love that I’ve been able to have a career and not have to choose! I love being able to switch from one to the other. Travel photography is actually a perfect mix because when delivering a travel essay you generally need to provide a little food, some portraits, landscapes, interiors, details, a mix of everything and that’s how I love to shoot.”

“I love how photography takes me to places I’d never have known about—like the world of rodeo queens, or attending the Sturgis motorcycle rally.

Zara Israel is an artist who utilizes a variety of media including photography, short films, digital art, graphic design and painting. She’s always had an interest in photography and when she lost her day job in 2019, Zara jumped into photography full time and has been building her studio ever since. Zara is still finding her style and loves to experiment with new techniques and work with new teams.  

Zara uses her work to uplift black men and women by celebrating their natural beauty.

Along with portraiture, food photography is also a passion of hers. As she notes: “You can eat the set when you’re done!” Bold colors and strong graphic elements make up her images. Zara describes her work as wholesome, colorful, and cultured.

Color Theory

When working with bold and bright colors, it’s important to take into account how hues and color values interconnect with a subject’s skin tone, and adjust accordingly. 

In the future I plan to use color theory more intentionally with my photos to evoke more feeling with my work.

Concept and mood boards are put together before shoots. And Zara always briefs her models on her signature “pro-modeling tips”, working off their natural mannerisms in order to frame them in a way that is both flattering and artistic.

Take a look at Zara’s body of work and you’ll notice a theme—props make up a large part of her imagery. 

I love props! I majored in film and we had to work a lot with setting the scene to make the environment communicate what we wanted it to. I learned at that time that props and lighting were two things you could use to instantly make your work look more intentional, so now I utilize my prop collection wherever I can! 

Read the No-List

When you start out in business you feel as if you have to say yes to every job that comes your way. But Zara explains that, “as I grew and increased the number of clients I dealt with; I began sensing patterns of which jobs I wasn’t motivated to do to the best of my ability. I also had to take a hard look at my morals and values and see if I was demonstrating those with the work I produced, and if the answer was no, chances are it ended up on my No-List.”

We think Zara’s No-List is a great way to help prospective clients self-qualify. It saves everyone time and makes sure the leads she gets are qualified. 

Multimedia

Photography, sound design, and film work are where I have the most expertise and experience, so those are generally what I advertise. Another thing I will be offering very soon is an affordable and well-equipped studio space for local creatives. SONNE Studios is under construction now in downtown Baltimore. 

The future is looking bright for Zara Israel. 

Aaron Pegg is a self-taught photographer, who began his journey with photography at 28. He explains the difference he sees between photographer and content creator as a photographer works on exploring all aspects of their idiom until landing on a genre or style whereas content creators create for the interest of others.

I just want to be the best photographer that I can be for myself and if I am lucky, people will recognize my tenacity and feel empowered and inspired by it.

Aaron gave himself the name Underground NYC as a way to differentiate himself from others, deciding to shoot in the NYC subway exclusively. This allowed him to build an audience and migrate from iPhoneography to shooting with his first Nikon camera.

I decided to photograph just empty subway stations, later adding one person into the shots. I wanted to turn what people deemed as a boring commute into a beautiful backdrop for photo shoots.

Ask Aaron how he defines his work and he’ll tell you clean, bold and creative. His style incorporates simplicity with a mix of natural light and shadows that allows his subjects’ personality to shine through. In the beginning of his Underground NYC work, Aaron’s inspiration came from the grit and hustle of the subway.

As I delve deeper into photography, my inspirations started to broaden. Inspiration can hit me at any time. It can be from the symmetry of trees in Central Park to the way the light hits the cobblestone streets in Soho. Being in New York, allows you to see how many subjects (people) interact with the city (possible shooting locations) on a daily basis and I use this as a starting point to many of my photo shoots!

Take one look at Aaron’s images and you’ll see that color plays a big role in his work.

I think I gravitate more towards neutral colors (with sometimes a pop of brighter, richer color) because neutral colors to me are calming and give my work a sense of tranquility.

Like many photographers, Aaron starts with a concept, often based on a mood or feeling. Then he’ll seek out a muse, location, styling and lighting that fits the feeling he’s trying to convey.

The lighting plays a very important role in my images. I like to think of lighting like the weather. It has the power to impact and even dictate certain moods and feelings.

The challenge is always how to make each image unique.

Sometimes a new client will reference an older shoot of mine and want something similar. However, I will always try to make the shoot their own.

Instagram as a Branding Tool

Aaron utilizes various Instagram accounts—using each for a specific genre of his work: @underground_nyc, @aboveground_nyc and @AaronPeggphoto.

@Underground_NYC is the main brand that showcases the full gambit of the genres of photography I do. @Aboveground_NYC simply highlights my landscape and street photography in NYC. @AaronPeggphoto is my newest account and focuses solely on my studio and beauty photography. This brand is geared towards working with modeling agencies and fashion brands.

Having a separation of each of these brands, lets individuals take a closer look at the genres I want to highlight. I think having a singular themed account on Instagram garners more interaction and feedback while showcasing a creative’s style and how they shoot with intention.

Finding Balance

Landscape photography serves as a balance and a way for me to unwind and relax from my day to day shoots. Usually, I like to go out alone and capture New York City and its landmarks through all of its unpredictable weather. Landscape photography is also a way I like to explore a new city I’m visiting.

Recently Aaron had the opportunity to shoot with the NIKKOR Z 58mm f/0.95 S Noct lens and found it to be a great lens for portraits.

The sheer weight of the lens and only manual focusing made things challenging at first. However, this just made nailing the focus on shots really rewarding. Just seeing the dial go down to a 0.95 aperture was pure joy in itself.

Cyndi Brown is a multi-faceted content creator with a background in photography, videography and graphic design. Her work spans commercial, lifestyle and portraiture. She says she doesn’t really define her work as one type or another because she’s always growing and trying new things.

Cyndi is known to her clients for the bold, dramatic colors you’ll find in her imagery.

“Color is what I’m known for. I’m very intentional when it comes to concepts and mood boards and scouting—making sure the color element is always a priority.”

All about the mood

Beginning shoots using a mood board is her go to thing. She uses them to show clients her vision for each specific shoot. Cyndi has also been lucky enough to have been able to work with clients who give her the freedom to just “do her thing” when it comes to creating imagery.

When it comes to designing a photo shoot, Cyndi builds on the feeling her client is trying to portray and then adds her own twist on it.

“It’s really more about a feeling and a vibe for me that inspires the design of the shoot.“

Other aspects of a shoot, like the location or even a certain outfit the client wants to showcase can also inspire a shoot, but Cyndi always brings it back to the all-important mood board.

“If I find a mood or the client has a certain outfit, I use that to set the tone for whatever location I find. If I find a location before I create a mood, I use the location to inspire the mood.”

A great example of a location inspiring a shoot is the photo of the model in front of the wall of lockers (at the top of the blog post). Cyndi saw the lockers and was immediately drawn to them and so she built a team and returned for a shoot around them.

Lighting is another aspect of a shoot that is super important. Depending upon the style of the shoot and the mood the client is trying to elicit, the right lighting can add to it. Cyndi does a lot of available light photography.

“I depend on the sun and my reflector more than anything so making sure I’m maximizing certain times of the day so I can execute the exact vision is vital.”

Getting Emotional

Another aspect of portraiture is being able to elicit the emotion you need for an image to be successful. And that may mean explaining in great detail what you, as the photographer are trying to achieve, or in other instances it may mean demonstrating to a subject exactly how you need them to pose.

“Sometimes we just get in a vibe and I shoot until I feel it, other times the model is just that amazing and we’re on the same page from the beginning.”

It can sometimes be difficult to bring a subject out of her shell, but there are things you can do, like getting to know them before you begin shooting or even acting goofy can relax a nervous subject.

“I find what helps me (because I’m shy and introverted) is asking them questions about themselves, to make sure we’re both extremely comfortable. I’ll also act goofy to relax models, so setting the tone is important for me.”

Paying it forward

Cyndi also enjoys educating others.

“When I first started I didn’t have access to a mentor to help me and being that I’m self-taught it was hard for me, so I wanted to make sure I used my platform to help and educate beginners about camera settings and lighting. I do one-on-one classes and group workshops where I’m able to teach more experienced photographers as well.”

JT defines himself in one word: Creator. Creator encompasses all of his skill sets: photography, filmmaking, motion graphics and 3D animation. “All of these mediums have a certain reciprocity with each other, allowing me to solve creative challenges in unique ways,” he explains.

JT has been a shutterbug since the age of 5, learned the basics of photography in high school and bought his first DSLR in 2009. After receiving a BFA degree, he enlisted in the Air Force where he’s been a military photographer and videographer ever since. JT attended the prestigious Syracuse University Military Photojournalism course at the Newhouse School in 2018, and credits it as a creative turning point for his photography.

Color theory and harmony

JT’s imagery is a journey of experimentation with Light and Color searching for the harmony between light, color and subject, that the viewer connects with.

“A solid understanding of color is crucial. Color theory—understanding complementary colors and how certain hues evoke specific feeling or emotion—is at the core of my work.”

However he often experiments in B&W, seeing the light without the distraction of color.

“Only after seeing exactly how a modifier or technique affects the light source, will I begin to add color back to the images.”

“I really love the color vibrancy that I’m able to pull out of the Z 6 and Z 7—my style really depends on a solid representation of what I’m seeing with my eyes.”

Neon as light source

JT often uses neon signage as a light source for portraits, for the soft and flattering, saturated quality of light they emit.

“I love the way colors interact with each other and my subject. It’s a specific harmony that is difficult to recreate with other light sources. I gravitate towards certain hues, seeking out certain signs.”

You want to stay away from single-color lights because more often than not, the look will seem as if your white balance was incorrect. Instead, seek out lights with strong complementary colors that both stand alone and blend well, for example Blue + Red = Purple.

JT has his own “neon studio” with a handful of signs he’s collected which make it convenient when shooting in winter (too cold to be outdoors) and sadly (for neon fans) as more and more companies migrate from neon to more efficient LED lighting.

JT has been lucky in that most, if not all of the individuals he’s worked with for these types of portraits have specifically reached out to him because of his style.

“I try to utilize the light, color and composition to put my model in a surreal neon world with minimal need for post-processing. There’s always a balance of using the light to emphasize characteristics of the model and not have it overshadow them.”

Designing the shot

Designing the shot begins with the light. Once JT sees how the light and color will interact with skin tone, he then moves on to posing his subjects and deciding on the camera angle.

“As much as I love neon lighting, I utilize everything in my tool kit from LED light panels, Speedlights and gels, strobes and soft boxes, and of course natural sunlight. I believe it’s important to be a well-rounded photographer that can make great imagery in a variety of conditions.”

“My photography for the Air Force and Space Force has greatly influenced my run and gun shooting style, and where my ‘RunNGun’ YouTube name originates. Found-light is a light source I don’t have to carry around in my bag, which is why I love on-location neon signs, allowing me to shoot and move quicker. I can utilize techniques I’ve learned to turn any lighting situation into a good image.”

JT’s experience has given him the ability to use whatever light is available to him to craft the best photograph possible. Whether that’s natural light, the light from a cellphone, a Speedlight or a pro studio strobe and softbox.

“I believe it’s crucial to understand the qualities of light: intensity, color, hardness or softness, and direction. When you learn what makes hard light vs. soft light for example, the possibilities become limitless on what you can create.”

Pay it forward

JT started his YouTube channel in early 2017 as a way to pay it forward. JT says teaching inspires him: “It challenges me to be a better photographer. The more I teach and share what I know, the more I’m motivated to learn.” Check out his RunNGun YouTube Channel for videos on topics like: photography hacks, simple editing tips, winter photography tips, light painting, editing amazing time-lapse videos and much more.

Like many other photographers during the pandemic lockdowns, Meagan Bolds has had to become more creative to keep her photography going. A concert photographer turned portraitist, Meagan also found that turning the camera on herself helped her grow her techniques for photographing others; including posing, lighting, new techniques to try, even new post-production ideas.

Practice makes perfect

“When I started shooting more portraits, I realized I didn’t really know how to pose people. I’m a very hands-on learner, nothing sticks unless I get to practice at it, so I decided to put myself in front of the camera to work on it.”

“My self-portraits took on a life of their own, though, when the pandemic started. I wanted to stay creative while staying isolated, and my options were taking pet portraits and self-portraits.”

Ask how she defines her work and Meagan will tell you “Random. I make too many different things, especially now that I’ve been out of my usual element, to really put myself in a box. I guess I would say it’s clean or bright. If I’m going to do anything, I’m going to add a pop of color or overexpose a little to make the scene more dreamlike.”

Just have fun

As Meagan notes, a self-portrait can be as simple as a quick selfie to show off your new hair color or makeup technique, to wanting a photo to practice a specific post-processing technique to getting the itch to take a photo and not having another model to collaborate with to planning a shoot specifically with herself as the model.

“I love the more intense, full studio shots. A lot of my photos are taken in a run-and-gun style and don’t take a lot of planning, so there’s something about actually planning the studio shoots that makes me more inclined to do them.”

In control

More than a simple selfie, a self-portrait gives you full control of your work.

“I don’t feel the pressure of ‘make the client happy’ and it allows me to be as creative or as basic as I want. It’s the only time the product is 100% up to me.”

This year has made all of us reassess what we are doing, whether by necessity or choice. But despite all the changes and upheaval, a lot of creative professionals have discovered new avenues in their work. One of them, portrait photographer Marina Williams, faced big challenges during the lockdown when her clients postponed or cancelled upcoming sessions. After sharing old work on social media and being underwhelmed by the results, she decided to push her limits by shooting more intentional self-portraits on her own. That, and creating tutorial videos of her process, led to a whole new type of photography she wouldn’t have discovered otherwise. Marina told us how this new way of seeing saved her during the pandemic—both professionally and creatively.

Get Out There.

“My biggest piece of advice for portrait photographers right now is to not let anything stop you from shooting. Whether that’s a pandemic or your own hesitation to try new things, you should always be out shooting and practicing as often as you can. The biggest growth I’ve seen in my own work was when I let go of the fear of making mistakes and just shot every single day until it came easily.” 

Don’t let circumstances in the world around you impede your creativity. If the universe throws you a curveball, take a swing at something different. Above all, keep the creative juices flowing as much as possible. You may be surprised by what you discover about your work. And yourself.

Fanning Your Fan Base.

“I love sharing advice and tips on all aspects of photography, from the creative side to the business and marketing side. When I started to share this type of content instead, my followers grew quickly.”

Don’t limit yourself by only talking to your fans about one aspect of your work. Be open to sharing more than just your work—people are often interested not just in what you do, but how you do it. Giving a wider view of what you do can grow your fanbase exponentially. 

Try New Stuff.

“I shot multiple times a week trying out concepts and ideas that I had been sitting on, and constantly producing new content helped me grow substantially.”

Now—when many of us have more free time than usual—is the perfect time to experiment. If you always shoot stills, try video. If you make short form films, try time-lapse. A time when the world is full of unwanted boundaries turns out to be the perfect moment to push your own.

Platforms Matter.

“I also started posting Tik Tok videos in January, and as my following grew on Tik Tok, it also did on Instagram as a direct correlation. I think especially during quarantine, all photographers were craving ideas and inspiration too, so creating content for them helped me grow a lot.”

While you are expanding your creative horizons, think about how you are putting your work out there. The more platforms you are on means more opportunity to reach a wider audience. 

A Parting Shot.

“When I got that shot, I had one of those giddy “YES!” moments that makes photography so special.”

I made this image in my studio with a white wall and natural morning light from a window. I love keeping my images monochromatic and I do it pretty often in my work. I had two toy bubble guns blowing bubbles into the frame from both sides to create bokeh at varied distances. Z 5, NIKKOR Z 24-50mm f/4 lens at 24mm focal length, 1/320 sec., ISO 320 .

It seems like every family has a fur baby or two these days — and you can never have enough pictures of the family. Pets, especially active dogs, make getting great shots a real challenge. That’s why we asked lifestyle photographer and fur mama, Samantha Brooke, how she gets such compelling pet photos. 

First Things First

How to get your dog to look at the camera: “Use high value treats and toys (especially squeaky ones!) above your lens. Also use ‘trigger words’ they respond to like ‘grandma, grandpa, eat, squirrel’ etc…”

The trick to real connectedness in photos like the one above involves using what you know about your pet to get them to respond to you. Samantha says the key thing about dogs is that they come from a place of love. “I find [photographing dogs} easy because [they] have a universal language: love. Love comes in many forms: safety, being caring, food (!), toys, and using a variety of obnoxious noises to engage their attention.”

Divide and Conquer

Minimize distractions. Except when that makes the perfect shot: The fewer people around, the better, and ideally, there wouldn’t be any other dogs in the area. This helps your dog focus on, listen to, and interact with you. If you have more than one pet, it’s a good idea to separate them. 

As for location, Samantha finds that shoots involving water or restaurants can be a “too much of a ‘shiny object’” for her dogs, and their willingness to cooperate and attention spans diminish. That said, great shots can still happen. “These are also the times when I can get a very authentic shot like Koa drooling at the sight of pizza.”

Planning vs. Spontaneity

“Back in 2015/2016 when pool floats became more popular, I thought ‘why not put my dog on a float in a picturesque setting outdoors?’ I set out with Aspen to emulate Taylor Swift on a swan float (but on a lake surrounded by mountains) and from there, I made it an annual ‘float’ tradition to capture my dogs on floats in different locations. On the other hand, dogs and toddlers are very unpredictable so half of the time I set out with a general goal and hope for the best!”

It’s always great to have a plan, but just know that things might not work out. “Unplanned” photos during a “planned” shoot can end up being the most interesting ones.

Finding Your Audience

“It’s funny in that I never thought sharing pictures of Aspen in a kayak would lead to a “niche” in dog (with family!) photography. Social media, specifically Instagram, allowed me to speak to a specific audience: dog lovers. Since my social media presence focuses on pets, people wanted me to take pictures of their families including their pets. As I built my portfolio and shared more of my dogs on social media, my business grew.”

Use the social media platforms at your fingertips to help grow your business. Putting your work out there is the most important thing. Like Samantha, you might be surprised at the turn your work takes.