A photography project by Anya Anti
Conceptual photographer Anya Anti spent three years working on her 2.5 seconds project, from the concept stage and sourcing props, identifying locations across Iceland for the shoots, and post-production work. We asked her to share some of the images from the project as well as explaining some of her goals for the project and how she came up with the ideas and crafted the final images.
Anya’s team for this project consisted of a model, an assistant and Anya’s husband who acted as both assistant and BTS filmmaker. She and her team spent 10 days driving across Iceland, shooting in carefully researched locations, chosen specifically for each concept.
Q: What does the project’s title 2.5 seconds mean?
A: “Planet Earth is 4.5 billion years old. Mankind is about 140 thousand years old. If we compress the Earth’s existence into a normal full day of 24 hours, then we’ve been on this planet for… 2.5 seconds. I used “2.5 seconds” as a title because I wanted to invoke the power of numbers and perspective to create a strong, straightforward and shocking effect.“
Q: What was your ultimate goal for the project?
A: “I hope to bring awareness about climate change, to spark conversations about the issue and to educate more people about the facts, the urgency of the crisis and the seriousness of its consequences. The project is a series of photographs that highlight the environmental crisis through metaphors and symbolism. Each one of them illustrates and represents a specific environmental issue using allegorical figures and subjects, props, costumes and natural landscapes. I hope my art will be louder and clearer than words.
The subjects either represent a part of nature that is being impacted by these issues or a collective human who is witnessing and experiencing the effects. I used body sympathetic language and sad/anxious facial expressions to convey the horror, despair, and seriousness of the issue.“
Conceptualization
Q: How long did it take you to complete the project?
A: “Three years total. A year of preproduction, doing research, developing the concepts for the images and fundraising. Another year was spent building and sourcing props, getting a team together and traveling to Iceland for a 10-day trip to complete the initial photography. Once the images were captured, a third year was spent selecting images and editing to create the final images for the project.“
“Iceland offers a broad variety of different landscapes that were able to accommodate all of my ideas and become a vital part of the storytelling,” Anya explained. “For the “Deforestation” image I used the lava moss location to blend my subject with nature and create a sense of unity. The “Greenhouse gases” image I photographed specifically at Hverir, which is a geothermal spot in Iceland full of hot sulfuric gas—this helped symbolizes greenhouse gases.”
In the image “Greenhouse gases” she holds the planet inside a plastic bag, which is a metaphor for the greenhouse gases which create the greenhouse effect and the warming of the planet just like a plastic bag would do.
For the “Deforestation” image, she took a second-hand ball gown and crafted it to look as if it was made of moss to represent flora and forests. “I created a brown burnt dead patch on the dress along with some hot charcoals to represent wildfires and the destruction of the forest,” she adds.
For the “Plastic Pollution image” she used a clear transparent umbrella and donated recycled single-use plastic items along with making a jellyfish prop. “The jellyfish is made of single-use plastic items to symbolize the marine life that is gravely affected by ocean plastic pollution,” Anya adds.
For the “Global Warming” and “Pollution” concepts Anya commissioned an artist to make the props for the shoot. The “Global Warming” images uses a prop designed to look like a melting planet. The mask tank prop for “Pollution” was built out of the plastic fish tank and a real oxygen mask, with straps attached to be able to wear it as a backpack. She adds, “the little plant inside the gas tank symbolizing the only fresh air source.”
Q: Is the 2.5 seconds project complete at this point or do you think you might add to it in the future?
A: “The project features 8 illustrated environmental issues and consists of 13 images in total. It feels quite complete and can stand on its own. I’ve touched on all the major climate change issues that I wanted to. However, I feel like I’m not ready to end this chapter in my creative journey yet. I want to keep creating more eco-themed and environmental art, continue the conversation with my audience and explore new ideas. I’m not sure yet if they will be a part of the project or separate pieces. But I already have more photographs in progress. So stay tuned!“
Anya Anti
Ukraine-born Anya Anti creates fine art conceptual and surrealistic female portraits. She moved to the US to pursue her dream of becoming a professional fine art photographer. Anya’s imagery goes beyond traditional portraiture to tell imaginative stories through her art. She constructs dreamlike sets that rely on beauty, symbolism, metaphors, and associations to convey fantasy, whimsy, and intangible ideas. Her creative process includes scouting locations, creating elaborate installations, costumes, and digital photo manipulation, to bring her imagination to life and create fantastical stories through her art. If you listen carefully her silent pictures will tell a story.
See more of Anya’s 2.5 seconds project on her website: https://anya-anti.com/25-seconds
Check her out on Instagram: instagram.com/anya_anti_art